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Pulpit by Lucas Cranach the Elder

ArtWay Visual Meditation November 5, 2017

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Lucas Cranach the Elder: The Pulpit of Torgau’s Castle Chapel

The Central Points of Luther’s Doctrine

by Tanja Kootte

In this commemoration year of five hundred years Reformation, 1517 – 2017, many tourists may still flock to Germany. They will, privately or in scheduled groups, visit the renowned Luther towns: Eisenach, Erfurt and Wittenberg. To many people the city of Torgau will be less known and that is a pity.

In this beautiful settlement at the Elbe river Luther’s wife, Katarina von Bora, died. She was also buried there; a gravestone still reminds us of this special woman. The composer Johann Walther worked as choirmaster in this town. We know him from hymns like ‘Thy word, O God, declareth’. In Torgau we also find the beautiful Renaissance Hartenfels Castle, which was inhabited by Electors of Saxony favoring Luther. In this castle a chapel was built in 1544, which was the first church dedicated to Protestant worship. In this chapel we pose at the pulpit. Its decoration, designed by Luther’s friend the artist Lucas Cranach, is a wonderful summary of Luther’s ideas.

In the panel at the right side of the pulpit we see the story of Jesus driving the moneychangers out of the temple and all “who were selling and buying in the temple.” Jesus was angry and said: “My house shall be called a house of prayer; but you are making it a den of robbers.” The theme of the expulsion of the moneychangers also appeared in a maliciously satirical book from 1522, the Passional Christi und Antichristi, which was illustrated by Lucas Cranach as well. In this booklet the behavior of the pope and of Jesus were compared with each other by means of images. We see for instance the pope selling indulgences. Opposite to it we see how Jesus drives the moneychangers from the temple. It was a biblical story with great actuality in a time in which Luther had taken on the struggle against the trade in indulgences, i.e. the sale of divine grace against money. It was Luther’s conviction that not by buying indulgences or by good deeds humans can be saved, but only by faith in Christ.

In the panel at the left side of the pulpit we find a story that was also popular during the Reformation: the story of Jesus with the woman who had committed adultery. “Let anyone among you who is without sin be the first to throw a stone at her” (John 8:2-12). Early in the morning Jesus entered the temple. The Pharisees and teachers of the law brought a woman caught in adultery to him. Always on the lookout for an opportunity to test Jesus, they asked him whether according to Law of Moses (visible in the background) they should stone her. But Jesus stooped down and wrote with his finger in the earth. And when they continued to question him, he spoke those well-known words and continued to write. One after the other the Pharisees left. Jesus remained alone with the woman and asked her if anybody had condemned her. On her negative reply Jesus sent her away with the words: “Go your way, and from now on do not sin again.”   

Jesus did not condemn the sinner but forgave her generously. That is grace. In passing the clergy is presented in a bad light again. Lucas Cranach depicted this theme many times in his paintings.

The central part of the pulpit shows the 12-year-old Jesus in the temple. This is a short story that is told in in the gospel of Luke. After the Festival of Passover the parents of Jesus travel home, but Jesus stays behind in the temple. When they discover that he is not with them, they return to Jerusalem. They find him among the teachers in the temple, listening and asking questions. The teachers are astonished by his understanding and answers. No wonder, for is he not “the Word become flesh”, as the evangelist John calls him?

The pulpit in the castle chapel of Torgau with its well-chosen biblical themes gives a concise summary of the central points of Luther’s doctrine: only through faith: sola fide; only through grace, sola gratia; and only through the Scriptures: sola scriptura. 

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Simon Schröter after a design by Lucas Cranach the Elder: pulpit in the chapel of Hartenfels Castle in Torgau, 1544.

Tanja Kootte is J.G. van Oord curator for Dutch Protestantism of Museum Catharijneconvent Utrecht.

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ON THE WEBSITE   NEW ON THE WEBSITE   NEWS

1. CHAIYA ART AWARDS - Submissions Being Accepted Now. The Chaiya Art Awards is the UK’s newest theme based biennial art awards with a top prize of £10,000. The awards and exhibition will be held at London’s prestigious gallery@oxo on the busy Southbank riverside and will celebrate inspiring art on the first intriguing theme:  Where is God in our 21st century world?  The Chaiya Art Awards has its roots in Christianity but is open to all. Entries are being accepted now. The exhibition will run over Easter 2018. For more information please visit: http://chaiyaartawards.co.uk/

2. USA – 19 November, 9 – 10.30 h, Westin Copley Place - St. George C-D (Third Level), Boston: Panel Discussion Beauty's Vineyard: A Theological Aesthetic of Anguish and Anticipation, by Kimberly Vrudny. Moderated by Frank Burch Brown, with panelists: Janet Walton (Union Theological Seminary), Cláudio Carvalhaes (Union Theological Seminary), Maeve Louis Heaney (Australia Catholic University), with Kimberly Vrudny responding. In her most recent book, Kimberly Vrudny presents a socially engaged theology of beauty rooted in a Catholic theological imagination. Join SARTS for a conversation about beauty, art, and social transformation.

3. CALL FOR PAPERS – Association for Art History Annual Conference, 5-7 April 2018, Courtauld Institute of Art and King’s College London. Deadline 6 November. Papers for ‘Art and Religion: Theology, the sacred, and visual culture’ should be sent to Ben Quash, King’s College London, ben.quash@kcl.ac.uk and Ayla Lepine, University of Essex, ayla.lepine@gmail.com. More information: http://www.forarthistory.org.uk/wp-content/uploads/2017/06/CONF2018_CALL_FOR_PAPERS.pdf

4. ENGLAND – 12 November, 15.30 u, Bertha DocHouse Screen, Curzon Bloomsbury, The Brunswick, London: Bill Viola: The Road to St Paul’s – Film screening and Q&A. Director Gerry Fox follows Bill Viola and Kira Perov as they developed two video works now in St Paul’s Cathedral: Martyrs (Earth, Air, Fire, Water), installed in 2014 and Mary, installed in 2016.  http://dochouse.org/cinema/screenings/bill-viola-road-st-pauls-qa

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