Art does not reproduce what we see. It makes us see. Paul Klee

Marcelo Bittencourt: The Man Who Flies

ArtWay Visual Meditation October 28, 2018

Marcelo Bittencourt: The Man Who Flies

The Kingdom of Heaven

by Thiago Bragantin

In the collective imagination the Kingdom of God equals eternity with lots of clouds and angels. In the paintings of Marcelo Bittencourt that is different. In his portrayal of the Kingdom there is a mixture of earthly and heavenly elements and sensations.

In order to see the Kingdom of Heaven it is not necessary to die. It is possible to experience some of the grace and beauty given by God right now, alone or in community, which can make us realize that life is much more than the commercials promise us.

Bittencourt has the custom of painting during events like services, shows, sermons and weddings. The result are graphical prints of the life experiences provided by music or poetry – or by the Kingdom of God. For this reason wings, astronauts or other flying creatures are present in many of his paintings.

C. S. Lewis said: “The first reading of some literary work is an experience so momentous that only experiences of love, religion, or bereavement can furnish a standard of comparison.”

We can learn more about the Kingdom of Heaven by opening ourselves to the arts. Spiritual life is not just about the Bible and religious themes. Who has never experienced the heavens while watching a movie? Or never noticed the body regenerate to the sound of John Coltrane? After all, “Those who hope in the Lord will renew their strength. They will soar on wings like eagles; they will run and not grow weary, they will walk and not be faint” (Isaiah 40:31). Bittencourt’s wings, promised here by God, can be the result of reading good fiction or listening to great music.

Let’s spread more of the Kingdom of God. Let’s make more music and pictures, write and donate more good books, distribute poetry, let’s sing the song of the enchanted Kingdom, as in all of these things we can praise the name of God.


Marcelo Bittencourt: The Man Who Flies, 2014, acrylic, nanquim and gouache on cotton paper, 60 x 90 cm.

Marcelo Bittencourt is a Brazilian visual artist, illustrator and graphic designer. Born in São Paulo, presently living in Curitiba, he has worked on several projects of graphic design and illustration since 2004. He teaches and guides children and adolescents in a social project, which includes a drawing class. He has studied Graphic Arts at the Universidade Tecnológica Federal do Paraná and currently devotes part of his time to studying painting, expressing his imagery in mixed techniques on paper and canvas, and on walls with acrylic paint, watercolour, ballpoint pens and spray paints. Since 2014 he has participated in several exhibitions in Brazil. He has done several presentations where he paints in loco, capturing the atmosphere of an event and environment and transforming it into a unique work of art. See more of his work at

Thiago Bragantin is Brazilian. He has a Bachelor of Philosophy from the Federal University of São Paulo (UNIFESP) and a Master of Divinity from the Theological Seminary Servant of Christ. He is one of the curators of  



1. ARTWAY – We just posted the book review: The Faithful Artist: A Vision for Evangelicalism and the Arts by Cameron J. Anderson, reviewed by Victoria Emily Jones. Click here

2. NEW PUBLICATION – Picturing Paradise in Nineteenth Century British and American Art: Past, Lost, Regained, Religion and the Arts, 2018, co-edited by Rachel Hostetter Smith and James Romaine, Published by Boston College and Brill. This special double-issue of Religion and the Arts, featuring scholarly essays by Ann Beebe, Naomi Billingsley, Chris Coltrin, Roger Crum, Linda J. Docherty, Margaretta S. Frederick, Gregg Heitschmidt, James Romaine, Rachel Hostetter Smith, Kathleen Stuart, and Elissa Yukiko Weichbrodt. These essays, on a range of artists from William Blake and Asher Brown Durand to Hawaiian landscape painters and Damien Hirst, explore the elasticity of “paradise” as a concept for imagining a range of aspirations and anxieties, both social and spiritual. 

3. THE NIGHT WATCH and THE COMING REMBRANDT YEAR– The Night Watch will be publicly restored in 2019. The Rijksmuseum today announced that members of the public will be invited to watch the restoration of ‘The Night Watch’, Rembrandt’s most celebrated masterpiece next year. The project will begin in July 2019 and the public will be able to watch the entire process at the museum and online. It is more than 40 years since The Night Watch underwent its last major restoration, following an attack on the painting in 1975. Before the restoration begins, The Night Watch will be the centerpiece of the Rijksmuseum’s display of their entire collection of more than 400 works by Rembrandt in an exhibition to mark the 350th anniversary of the artist’s death opening on 15 February 2019. For all exhibitions in ‘The Year of Rembrandt’ see our page here.

For more exhibitions, lectures, conferences etc. inside and outside your country, click here

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