ArtWay

In Londen zagen de mensen de mist niet, totdat schilders haar gingen schilderen. Timothy Schmalz

Dobrinka Tabakova: Origami & Higashi Kara No

MUZIEK & BEELD

Dobrinka Tabakova: Origami & democlip Higashi Kara No 

Dobrinka Tabakova: Origami, mixed nonet, ca. 6 minuten, 2002. Dit werk is geschreven in samenwerking met choreografen van de London Contemporary Dance School en als onderdeel van een project met Prof. Dan Fern van het Royal College of Art London. Het werd gepresenteerd op het Bath International Festival of Music, 2003. De titel van de democlip betekent 'oostenwind'. Het idee van de kruisbestuiving van de culturen van oost en west lag ten grondslag aan dit project. http://www.dobrinka.com/compositions/Origami/demo.htm

Democlip Higashi Kara No (Oostenwind) bij het muziekstuk Origami voor kamerensemble van Dobrinka Tabakova, 2012, project aangestuurd door Prof. Dan Fern van het Royal College of Art London.

Dobrinka Tabakova werd geboren in Plovdiv, Bulgarije in 1980. Ze woont al meer dan 30 jaar in Londen. Ze studeerde aan de Guildhall School of Music & Drama en behaalde een PhD in compositie aan King’s College London. 

Meer informatie in het Engels (van de website van de componist):

Dobrinka Tabakova is a composer of ‘exciting, deeply moving’ music (Washington Times), with ‘glowing tonal harmonies and grand, sweeping gestures [which] convey a huge emotional depth’ (The Strad). She has been commissioned by the Royal Philharmonic Society, BBC Radio 3 and the European Broadcasting Union. Her debut profile album String Paths, on ECM Records, was nominated for a Grammy in 2014. In 2017 she was appointed composer-in-residence with the BBC Concert Orchestra.

The music of Dobrinka Tabakova has featured in films (Jean-Luc Godard’s Adieu au langage), dance (Sydney Dance Company/ Rafael Bonachela Anima) as well as international music festivals including Schleswig-Holstein; Moscow Homecoming; Three Choirs, UK; World Sun Songs, Latvia and Dark Music Days, Iceland. Creative programmers like violist/conductor Maxim Rysanov, Amsterdam Sinfonietta, violinists Gidon Kremer and Janine Jansen as well as Irish DJ John Kelly, Orchestra of the Swan and Sorel Organization have all championed her music over the past decade.

Among prizes for her work are the Jean-Frédéric Perrenoud prize and medal at the 4th Vienna International Music Competition; the prize for an anthem for the Queen’s Golden Jubilee, performed at St Paul’s Cathedral, the GSMD Lutoslawski Composition Prize and the Adam Prize of King’s College London. Her Fantasy Homage to Schubert, nominated by the Bulgarian National Radio, was selected at the 2014 International Rostrum of Composers in Helsinki. In 2011 she was awarded first prize and the Sorel Medallion in Choral Composition, New York.

Recent projects include Immortal Shakespeare- a cantata for the Shakespeare 400 anniversary in 2016, The High Line for orchestra inspired by New York’s park in the sky and the UK New Music Biennial film collaboration PULSE. Forthcoming highlights include a long-term residency with Truro Cathedral, making her the first female composer to be commissioned by the cathedral and a residency with the Leipzig MDR Orchestra for the 2017/18 season. Her orchestral work Orpheus’ Comet recently open the 50th anniversary celebrations of the Music Exchanges of Euroradio in November 2017. The current season also includes the premiere of Together Remember to Dance- a concerto for two pianos, percussion and strings, jointly commissioned by Amsterdam Sinfonietta, Orchestre de Picardie, Istanbul Music Festival, BBC Concert Orchestra and Norwegian Chamber Orchestra. 


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